Az Yet: The R&B Supergroup That Was Destined for Greatness but Doomed by Betrayal
Az Yet, once poised to be one of the greatest R&B groups of the ’90s, had everything needed for success: raw talent, chart-topping singles, and backing from industry legends like Babyface and LA Reid. Their platinum-selling debut album, Grammy nomination, and undeniable vocal prowess placed them in the same league as Boyz II Men. Yet, their story is one of betrayal, sabotage, and internal dysfunction that dismantled their legacy before it could truly take off.

The group’s origins were humble, starting as a duo of Dion Allen and Shawn Rivera, two choir kids chasing a dream in Philadelphia. Over time, Az Yet evolved into a seven-member ensemble, eventually slimming down to five and landing a life-changing record deal with LaFace Records. With Babyface’s endorsement, their breakout single “Last Night” soared to the top of the charts, solidifying their place in R&B history. But behind the smooth harmonies and polished image was chaos.
One of the group’s earliest challenges was their management setup. Jacqueline McQuarn, Babyface’s mother-in-law, acted as their manager—a conflict of interest that blurred the lines between family loyalty and business priorities. Instead of advocating for the group’s best interests, Jacqueline’s ties to Babyface and LA Reid created a web of family politics that left Az Yet vulnerable.
Industry insiders warned the group that their management situation could hinder their success, but the damage was already done. The group was quietly dropped from LaFace Records during a corporate restructuring, with no announcement or support, leaving them stranded.

Internal tensions further eroded the group’s stability. Mark Nelson, one of Az Yet’s lead vocalists and a founding member of Boyz II Men, faced betrayal from within. After being voted out of Boyz II Men years earlier due to legal complications, Mark found himself ousted again—this time by his own group.
Shawn Rivera later revealed that Mark didn’t leave voluntarily; he was voted out, a blow that left him devastated. This pattern of betrayal and group politics haunted Az Yet, as members came and went, each departure chipping away at their foundation.
Even their financial dealings were fraught with controversy. Shawn discovered that other members had re-registered the Az Yet trademark without his name, effectively cutting him out of ownership and royalties. This legal ambush, combined with withheld payments, led to bitter disputes that further fractured the group.
Attempts at comebacks were equally plagued by dysfunction. In 2008, the original lineup reunited, promising a revival of their golden era.However, internal conflicts led to more departures, reshuffling, and a fragmented identity that made it impossible for the group to regain momentum. Their long-awaited second album, released in 2016, failed to capture the public’s attention, and subsequent singles barely made a ripple.

Az Yet’s story is not just one of missed opportunities but of systematic dismantling. Industry betrayal, management conflicts, and internal sabotage turned what should have been a legendary career into a cautionary tale. Today, their name lingers in R&B nostalgia, a reminder of what could have been if talent, timing, and trust had aligned.
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