Certainly! Here’s a rewritten, condensed 500-word version of your narrative in English, preserving the spirit and key points:

Before her passing, Esther Rolle left behind more than just a legacy of powerful performances—she left a list. It wasn’t gossip, but a testament to her unwavering principles. Through her silence and subtle gestures, she named the ten actors and television figures who, for her, represented the compromises and betrayals she fought against her entire career.

On the set of *Good Times*, Esther’s frustration began with Jimmie Walker’s portrayal of JJ. While audiences loved his catchphrase and comedic antics, Esther saw it as a caricature that undermined the dignity of Black families. She didn’t hate Jimmie as a person, but resented how Hollywood forced him into a role that perpetuated stereotypes. For her, acting was about telling her community’s story with respect and truth, not laughter at their expense.

Her relationship with John Amos was equally complex. Both fought for authentic representation, but clashed over methods. John’s confrontational style contrasted with Esther’s quiet strength. Their shared passion for their work led to tension, not from ego, but from a mutual desire to protect the image of Black families on television.

Janet Dubois, who played the vibrant neighbor Willona, gradually became the show’s comedic centerpiece. Esther, who valued depth over easy laughs, felt the show’s message slipping away beneath the humor. Though they never argued openly, a cold distance grew between them, each woman standing for different ideals.

When Janet Jackson joined the cast as Penny, Esther saw the show become more commercial, prioritizing ratings over real stories. She didn’t blame the young actress, but resented the network’s decision to chase popularity at the cost of authenticity.

Johnny Brown’s character, Bookman, brought more slapstick humor, which further alienated Esther. She felt that the pain and struggle of the community were being turned into entertainment, and her silence on set spoke volumes.

Bern Nadette Stanis, as Thelma, transformed from a symbol of intelligence and ambition into more of a visual attraction. Esther regretted seeing a character with such potential reduced to “wallpaper,” reflecting her disappointment in the industry’s priorities.

Even young Ralph Carter, who played Michael, became a source of disappointment as his role was minimized. Esther’s initial pride in his character faded as the show’s direction changed, and she withdrew emotionally.

The introduction of Moses Gunn as Carl Dixon, Florida’s new love interest, was a turning point. Esther believed her character would never move on so quickly, and her discomfort was evident. The storyline was soon dropped, reflecting her influence and commitment to authenticity.

Esther also refused guest roles on shows like *Diff’rent Strokes*, feeling they perpetuated incomplete or distorted images of Black life. She lamented the use of Black characters solely for entertainment.

Finally, she was critical of Sherman Hemsley’s George Jefferson, seeing the role as another stereotype—loud, brash, and ultimately disrespectful to the complexity of Black families.

Esther Rolle’s legacy is defined by her refusal to compromise. Her quiet resistance, more than any public outburst, was a powerful stand for dignity, truth, and respect in an industry that too often sought easy laughs over honest stories.